A Thousand Tiny Sorrows
Carol Lynn Stevenson Grellas
Windbar
This chair, forgotten, unattended with cane
back weave, worn from steady wear. Once
a table pushed its legs beside the wooden arms.
This weepy tree, abandoned, where the rattlebox
still grows, seeds rest unshaken, leafy buttresses
line the sandstone path, where a boy swung to
and fro with the wind; instinctual as the Sanderline
runs with the ebb and flow of waves. There is
silence between us now, louder than a locomotive.
The mornings are swallowed by the afternoons
and this heart that loved you has fallen
out of tempo. What of that?
Miasma
Once there was a woman’s name
that swelled inside your inner ear,
the morning when you stood alone
and heard the tulips curve.
That only moment in your life
you understood the whole of it,
everything you’d ever seen,
even the prattler of crickets.
Maybe you were paranormal;
a freak within your humanness,
but time has tainted everything
so you will never know.
Perhaps a life can tilt too far
into the slivered-blue of space
where galaxies reflect in clouds
and mirror parts of heaven.
Or maybe you were unaware
that you had been his savior,
all the while you loved him so,
his rag-doll face while deadness wept;
a fallen tree-
the silent cry of timber.
Peculiar now the hour has passed
when you became his viaduct,
a shaky bridge morphed into you
your memory bleeds to comatose
this hazy blackout warps your brain-
till you were never there.
ISBN 1-59661-131-6
25 pages/$9
As the curtain rises, a mother feeds her children Wheaties, but inside her there is turmoil: What do you wear on the day a doctor’s verdict might destroy your life? Hang onto your hats, folks, because that’s only Act I of A Thousand Tiny Sorrows, the latest collection by Carol Lynn Grellas. From the unbearable pain of a mother’s deathwhich Grellas describes with the powerful poignancy for which she is knownto the glorious insight that “every happiness arrives without warning and turns to joy when the beauty of nothingness becomes profound,” you’ll find yourself with wet eyes and choked-up throat, and hopefully, like Grellas, “grateful for the ache.” Bravo!
—Boston Literary Magazine
Grellas confronts illness and death, delivering a collection of elegantly crafted and lyrical poems that ferret out moments of shining joy hidden in the depths of sorrow. Highly recommended.
—Carla Martin-Wood,
author of The Last Magick (Pudding House, 2009)
and Flight Risk (Fortunate Childe, 2010)
“Because today is not extraordinary” (“Measuring the Empty”), Grellas embraces that sense of the commonplace as her starting point. The diction of "The Waiting Room" is direct and honest as the speaker anxiously prepares to hear results of a significant medical test. From nursing home to nail salon, we are presented with settings that are immediately accessible. With Grellas as guide, we explore a landscape of emotional experience that has been her familiar territory and now becomes ours. With a deft hand, she evokes love, grief, terror, ecstasy, and those thousand sorrows that shadow us all. In "Broken Stalk," the speaker hides “within an inner world all glistening like the brightest cherry…”
—Brenda Levy Tate,
from the Foreword
Carol Lynn Grellas is a three-time Pushcart nominee and the author of two chapbooks: Litany of Finger Prayers, from Pudding House Press, and Object of Desire, newly released from Finishing Line Press. She is widely published in magazines and online journals including most recently, The Centrifugal Eye, Flutter, Umbrella, and Best of Boston Literary Magazine. She lives with her husband, five children, and a little blind dog named Ginger.